翻訳と辞書 Words near each other ・ Collective buying power ・ Collective capitalism ・ Collective choice ・ Collective cognitive imperative ・ Collective consciousness ・ Collective Consciousness Society ・ Collective depression ・ Collective Digital Studio ・ Collective dose ・ Collective effects (accelerator physics) ・ Collective effervescence ・ Collective efficacy ・ Collective Evolution ・ Collective Eye Films ・ Collective farming ・ Collective for Living Cinema ・ Collective for Research and Training on Development-Action ・ Collective Hardware ・ Collective identity ・ Collective impact ・ Collective Induction ・ Collective intelligence ・ Collective intentionality ・ Collective Invention ・ Collective Labor Movement ・ Collective laissez faire ・ Collective landscape ・ Collective leadership ・ Collective leadership in the Soviet Union ・ Collective Letter of the Spanish Bishops, 1937 Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Collective for Living Cinema ： ウィキペディア英語版 Collective for Living Cinema The Collective for Living Cinema was an outpost of avant-garde cinema located on White Street in Lower Manhattan in the United States of America. It regularly presented work by filmmakers such as Ken Jacobs, Johan van der Keuken, Yvonne Rainer, Christine Vachon, Dziga Vertov and many others who created films that were outside of the commercial mainstream in the United States. It also published a number of scholarly journals on film. Many of the founders studied film at SUNY Binghamton together, where they developed a particular interest in the avant-garde. A recent retrospective show on the Collective's program organized by ORCHARD (orchard47.org) included the following note in its press release: ==Formation== In 1973 a group of film students from the Harpur College Cinema Department looking to create a contemporary and fertile context for their work found The Collective for Living Cinema, an artist-run cooperative that would serve both as an exhibition venue and a center for production and discourse. Above the first program note was a miniature manifesto stating their intention to “overcome the economic, social and political burdens of an art in chains.” Lasting for 19 years, The Collective came to embody the under-defined moment between the canonized generation of “the essential cinema” and the transfiguration of film as “new media” embraced by the institutional hierarchy of the art world and subject to the theoretical, critical and economic tidal forces therein. Run as a multi-disciplinary venue, The Collective continuously engaged in a recovery of the recent past, championing the marginal and positing alternative film histories. The screening room was seen as a workshop in which this culture became immersed in its own brand of cinematic delirium. Annette Michelson pointed out that The Collective "attempted to break down distinctions between industrial film and avant garde film, between films that form part of a classical canon and those which are on the margins or periphery of canonical taste." By "maintaining and constantly questioning an exploratory attitude rather than by embalming predigested classical canon", Michelson stated, The Collective emerged in the 1980s as the "liveliest" New York film venue of its time. This exhibition will re-examine the Collective’s history and parallel its mission within the current set of “economic, social and political chains.” It has been organized as a series of individually programmed screening events at ORCHARD (April 6–8 to be held at Anthology Film Archive), a timeline of documentation and an installation specific to the ambivalent capacity of cinema to enter the gallery through production / distribution on video. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Collective for Living Cinema」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.